Fit To Print

 

There comes the point in the writing process when your work is finished, and the book is out the door. But there remains an emptiness, that a thing you toiled on for so long is no longer an active part of your life.

That all changes when the galleys arrive.

Just holding a physical book with your name on the cover and your words on every page is quite an experience. I began working on Magicians Impossible in April of 2014. that was three years and a month ago, and now I’m holding the (nearly) finished book in my hands. This is the uncorrected proof, so it’s got some spelling errors and formatting screw-ups. I actually sent in my requested changes as these were being printed – changes that will be incorporated into the final version of the book.

I have eight of these galleys, and my agent has the other two. I’m not entirely sure what I’m going to do with these. I know some authors like to do giveaways and contests, but I’d rather save those for the proofed version of the book, not one that needs fixing. Right now it looks like I’ll be saving them to fill in gaps with publicity and promotion. SMP’s publicity and marketing departments are first-rate, but there are always going to be things that crop up requiring a galley copy – that podcast interview, that radio show.

So where do I go from here? Well, onward and upward. I have a novel I’m currently drafting, and just sent my agent a proposal for another book project I hope to do. I’m not one for self-reflection on work I’ve done. I don’t even own copies of the film/TV projects I have written that were produced. For me it’s always about the next project, the next story.

But having these around? It’s nice. really nice. I can’t wait to add more to my shelves.

Where It’s At

I probably sound like a broken record at this point, but I have finally, FINALLY finished Magicians Impossible.

I think.

Yesterday, after two and a half weeks of review, I finished my pass on the copy proof – that’s where the publisher sends you your book as it will look on the printed page.

What, you thought I was going to show you an actual page from the book? Sorry, you want to read it, you have to buy it first.

What the author does is read it, front to back, checking for typos, improper punctuation, minor tweaks and such. Despite the author (hopefully) proofing, then the editor, then the copy editor, then the author again, stuff still falls through the cracks.

I am pleased to report that the copy proof edit wasn’t too severe. Mostly it was correcting punctuation, flagging some miss-spelled words, flagging some missing ones, correcting a couple minor story errors (necessitating the removal of a single paragraph that was a little redundant to only the slowest of readers by that point) and catching some word and phrase repetition – stuff that the writer and probably no-one else will notice. Each chapter ran two to three fixes. I went whole stretches of five to seven pages without error. The ones that required a little more work were the ones that had undergone some heavy revision during the copy-edit phase.

According to the publisher’s documents this was  the “first pass” with three more on the way (assuming the book needs it). I’m told a copy editor will take a look at it next to catch what I missed. then it’ll come back to me for the third pass to approve their changes. There’s even room for a final pass, but I think we caught most if not all of it by that point.

Then it goes to the printers.

Then it’s sent to bookstores.

Then it hits shelves.

Then people read it.

Then it’s finally, finally finished.

Except the publicity.

Except the signings.

I can’t remember who it was who said it, but I am in agreement with them that “art isn’t art until it’s seen. Until then it’s just indulgence.” Magicians Impossible, all 390 pages of it, i might add, will be released September 12, 2017. It will be reviewed (favorably and unfavorably I expect because you can’t please all of the people all of the time), people will buy it. Hopefully enough to make the experience all worthwhile.

[Some late-breaking news was that the audio book rights for Magicians sold for double what St. Martins’ was asking for and expecting. When I have more details I’ll pass them on, if audio-books are your thing]

What’s next for me? More writing, obviously. I’m trying to get my follow-up book into shopping shape sooner than later. I’m also hoping to take some actual time off this summer to not work, but with Magicians pending I have a limited window to strike.

That’s why I recently became a member of the ITW (International Thriller Writers) and have plans to attend their big annual meet-up this July in NYC.

I also have a new book proposal I’ve started sketching that, if it happens, will be something of a fulfillment of a childhood dream.

But that’s a story that will have to wait for another day.

And if we’re really, really lucky, we’ll even get to read it.

On The Road (With Apologies to Kerouac)

On Friday, February 26, 2017, I delivered the final edit of Magicians Impossible to St. Martins Press. It is finally, FINALLY finished, and it has been the most difficult, most lengthy, and most rewarding project I have ever undertaken. The stats on that: I first sat down with editor Brendan Deneen to talk about the book in April of 2014. Now, three years less a month later, the journey is over.

Well, not OVER over. There’s still the the matter of the release of the book on September 12, and all that comes with it. Magicians is going to keep me busy through the fall and probably into next year, especially when the paperback is released. But the writing journey is over. I’m on the next project already, and have pages to deliver to my agent this month so she can run with them, which will be a journey in itself.

Now, with “journey” on your tongue, a pop quiz. What do …

And …

Along with …

And let’s not forget …

And, finally …

All have in common?

They’re all places I’ve been to, and they all feature prominently in Magicians (which you haven’t read yet), but they do figure into the story, some in very significant ways. I bring them all up because they’re all part of what I believe is the key to good writing, or at least the authentic kind.

Joe R. Lansdale, one of my favorite writers, once said (and I paraphrase) that “you can tell when a virgin’s writing a sex scene.”  Likewise, you can tell when someone’s writing a story with no idea what they’re actually writing about. Like they never experienced the place, the feelings, the emotions of what they’re describing. To me, that is one of the most important aspects of writing; the part most writers fail to mention.

Travel. Adventure. The whole “step away from your desk and experience life” thing.

A lot of writers go on about their word counts, or their endless rewrites, or writer’s block. I don’t see many going on about an adventure (or misadventure) they had. Some object d’art that inspired them. Some unexpected journey that gave them an idea they nurtured into a story. Some wrong turn that ended up being the best mistake they ever made.

I first visited Paris in 2011, as part of a post Fresh Meat victory lap. My wife and I spent our Christmas there, renting a charming flat in Montmartre, and spending the entire week in the city. We hit Versailles, the Catacombs, stumbled upon Francois Truffaut’s grave in Montmartre Cemetery, shopped the Galleries du Lafayette, ate lots of cheese and drank an alarming amount of wine … and visited the Louvre, where we fell in love with its beautiful sculpture garden …

And this statue in particular.

Not to spoil anything, but a central portion of Magicians takes place within the walls of the Louvre, and this sculpture garden in particular. Now, it goes without saying I never would have conceived the idea if I hadn’t gone to Paris and to the Louvre. But the idea of staging something in the Louvre was born that day in late 2011 – five years ago, and two years before I began Magicians.

This is another example. All characters need to come from someplace, and when I was developing the backstory of Jason Bishop, Magicians’ protagonist, I knew I wanted him to have grown up in the village of Cold Spring, NY, which is an hour and a bit by train north of NYC. My wife and I spent a wedding anniversary weekend up there back in 2012. We saw the sights, we hiked, we ate very well, and it was on one of those walks that I first glimpsed Storm King Mountain, just across the river and a little further north. Something about the name Storm King just stuck; it made me think of the Night on Bald Mountain sequence in Disney’s Fantasia, and an image of a wizard’s battle on the road that winds along its side popped into my mind. So, when I was trying to find a place for Jason Bishop to have spent his childhood, Cold Spring was a perfect fit. Had I never visited, it would have been someplace else. But over drafts of the novel I realized just how important Cold Spring was to the story. In the end it is probably the most important locale (and I ended up getting my wizard’s battle on Storm King after all).

Ditto Jason’s place of work. The location of The Locksmith bar in the book is just below Dyckman Street on Broadway, a spot occupied currently by the Tryon Public House. But the layout of the place is actually based on a bar further north once called The Piper’s Kilt (now the Tubby Hook), and takes its name from a bar further south that used to be called the Locksmith. I picked the Inwood neighborhood of Manhattan to park Jason at his job because it’s a neighborhood I’m familiar with. Any time I needed a refresher on some detail all I needed to do was go for a walk.

There are other real-life places that figure into the book, but those are the major ones. So to me, anyway, travelling is the most important thing I don’t hear a lot of writers talk about. It’s authenticity. The idea of experiencing things off the beaten path, to use a cliché. It doesn’t even have to be an overseas trip; sometimes just walking down a different street in your city or town can give you an idea.

Even if Sci-Fi or Fantasy is your thing, you can still benefit from travelling outside your comfort zone. Go to a place where they speak a language different than your own. Try and sample the local cuisine. Get lost. You don’t even have to go far; even the next town or state over can reveal wonders. It’s amazing how many people rarely venture outside their home town or city or state or province. Only 36% of Americans even own a passport; they’ve never set foot outside of their country.

So, if you’re a writer, aspiring or otherwise, I strongly encourage you to step away from the desk, step outside your life, and see what’s out there. Your next story could be waiting for you as close as the next street over. All you need to do is find it.

 

Impossible Tracks

So, a lot has happened since I delivered the Magicians Impossible manuscript to my editor at Thomas Dunne Books on January 6th. Manuscript was received, I received the rest of my advance, and took a breath to orient myself after what was a long haul project.

Since then … a lot more has happened. Word started getting out; some book blogs picked up word on Magicians Impossible, the dedication and acknowledgements were written and submitted so the book could be sent to the printer’s for those galleys to be sent out to reviewers in April. July 4, 2017 was fast approaching.

Then… things changed.The original release date of July 4th was always fluid, with my hope they’d move it up to June 27 so people could get the book in hand before the summer officially began on the long weekend.

That was my hope, anyway.

Instead, the sales, marketing, and publicity departments, along with my editor, jointly decided that an autumn release date would be better for the book.

Which is why Magicians Impossible will now be released September 12, 2017. I’m told through the grapevine that the higher ups at St. Martin’s Press (where Thomas Dunne Books, my imprint, has its home) feel Magicians has the potential to do much better in the fall market, which is typically when the big five release their major titles. It’s a huge vote of confidence in me and Magicians that they would make such a decision.

[As an aside, a friend who worked in sales at a UK publisher for years said it means SMP wants Magicians to be an anchor of their Christmas line-up.  So, Merry Christmas to me]

What does this change? Well, nothing in the short term, except now we have a little more time to get the whole machine up and running. My agent, Jodi, and I are meeting with the SMP team in early April to plot promotional, marketing, and publicity strategies – and she and I will be strategic on our own as how to maximize the new release daye, the months leading to it, and the ones following.

Right now it’s looking likely I’ll be appearing at Book Expo America in NYC in early June (where the book gets its official “pre-launch” launch). My promotional tour (New York, Los Angeles, and possibly Toronto) will run in September-October, with appearances and signings continuing through the fall at basically any place that will have me. One advantage of living in NYC is everything from D.C. to Boston and parts between are only a drive away. I’m hoping to hit up everyplace I can on the East Coast this fall. West Coast (outside of LA) and parts in between will be on a TBD basis. I hope to hit up cities that aren’t on the usual publicity tour stops like Chicago, Milwaukee, Cincinnati, Memphis, Nashville, and my old NC stomping grounds.

Anyway, to keep up with what’s happening with Magicians Impossible, I now have an author page up at the MacMillan Books website. I also have a Facebook page you can swing by and like for more updates.

And, of course, the book’s available for pre-order at fine bookstores everywhere.

I made mention in the previous update that I’d be leading up to the book’s July release with a series of entries about things I discovered about writing and process. That’s still happening, but for obvious reasons is being delayed a couple months. But I’ll have some new non-Magicians related material up sooner than later. I hope.

TTFN

Wild Wild Life

It’s finished.

On January 6, 2017 I delivered the revised and final draft of Magicians Impossible to St. Martins Press. There’s still copy edits to come, but the draft I delivered is the one you’ll read when the book arrives this summer. I just received word from my editor that the galleys are being printed which means within the next couple of months I’ll have an ARC (that’s Advance Reader Copy) of my book in hand.

So Magicians is, for lack of a better word, finished. And right now I’m trying to figure out where I go next.

I learned a lot about myself, and about writing overall, during the creation of Magicians Impossible. It was April 2014 when I first sat down over lunch with Brendan Deneen at SMP to talk about the book. It’s January 2017 as I write this. I’me taking a brief respite for some downtime – something I didn’t get over the holiday break because I was on deadline. Then, I get back into the next writing project.

So, from now to the book’s release I’m going to be shifting gears on this website, and spending the months leading to publication talking about the process of writing this book. What I learned. What I did right. What I did wrong.

The biggest thing I learned though, was that in the challenge of writing a book while raising an 18 month-old, was that time away from writing can be as important, if not more important, than time spent at my desk. It used to be I could hit 2000-2500 words a day, but with my child’s needs, I could only hit around half that.

And that ended up being just fine, because on those walks and visits to the playground, and the library, I found I could spend more time thinking about what I’d written that morning, and on what I was working on that afternoon, than the actual writing of it. That way when I did get the child down for their nap, and had a nice 3 hour block of time to write, I hit that daily goal much quicker and with greater dexterity.

There’s a definite difference in quality, I found, anyway, between the pre-child chapters of Magicians and the post-child ones. Of course, pretty much every post-child chapter was completely binned and rewritten from scratch, but that’s a story for another day.

I’ve long felt that writing isn’t just the time you spend at your desk. It’s not your word count. It’s not volume. It’s everything but that … and that’s something I’ll get into on our next installment.

Your not-so-subtle reminder: Magicians Impossible is available for pre-order now from Amazon, Chapters-Indigo, Barnes and Noble, and your local bookseller. I’ve been told that some have had difficulty pre-ordering in person; some systems haven’t updated to include the book in their pre-order sections. So maybe what is better is for you to call or visit your local and ask they reserve a copy, or give them the book’s ISBN number (ISBN: 9781250083524).