It’s strange when your idols become your colleagues, and become your friends. Such is the case of legendary filmmaker Don Coscarelli, whose notable work includes Bubba Ho-Tep, the Beastmaster, and a film series of note called Phantasm.
I first met Don in 1998 at a screening of Phantasm Oblivion. We hit it off and the next year when out in LA he graciously invited me and some friends out for lunch. He even brought The Tall Man himself, the legendary and much beloved Angus Scrimm.
But it was in 2002 that Don had an immeasurable impact on my life when he made Bubba Ho-Tep as it was because of Bubba that I met my future wife. We’ve been together 16 years now, and have a now 3 year-old child.
Last time I saw Don was a year ago while on the west coast leg of the Magicians Impossible book tour. He met us for breakfast in Manhattan Beach and seemed absolutely delighted that a weird little movie about a geriatric Elvis fighting an Egyptian mummy could lead to a marriage, and a new life brought into this world.
But that’s not why I write this. I write this, because at that breakfast Don mentioned he’d been approached by St. Martins Press – my publisher, incidentally – about penning a memoir. A year and a bit later that memoir has now been published.
I just finished reading True Indie, and have to say it is easily one of the BEST books I’ve ever read about the trials and tribulations of being an indie filmmaker. As well as being an amazing filmmaker Don is one of the greatest raconteurs I’ve ever known, and this book is loaded with stories I’ve never heard before. It’s also one of the most inspiring books I’ve ever read – a story about hard work, and dedication to your craft, and the strength you draw from your friends, colleagues, and family. Don is a true original, and I urge everyone with an interest in horror and film-making to grab yourself a copy … or face the wrath of The Tall Man!
Magicians Impossible was published one year ago today, on September 12, 2017. It was quite a year, and quite a learning experience. These are just some of the things I discovered in the year since my first novel was published:
Not everybody will love your book …
This is a fact. Going by Goodreads’ own metrics, about 85% of the 800 or so people who read and rated Magicians Impossible liked it. Overall it’s at about 3 and a half stars out of five. Not bad numbers – and frankly, ones any movie producer would kill for, review-wise. But of course not everyone liked it. Some hated it. That’s fine though. It comes with the territory. If everyone loved it and it was getting nothing but 4/5 and 5/5 you could bet something was up because no book ever gets 100% universal acclaim.
… but some will.
I’ve had several people write to me to say they hadn’t enjoyed a book as much as they have Magicians Impossible. Some said it broke them out of a book-reading rut. Some found it the perfect escape for a period in their lives when they were struggling. One reader even enjoyed it so much she bought 4 signed hardcovers to give out as Christmas gifts. All of them want a sequel (that’s St. Martins’ decision, not mine, sorry). And the positive reviews have far outnumbered the negatives. So for every negative there’s bound to be more than a few positives, which are great odds.
Social media is a horrible time-suck but you need to do it.
I complain about social media a lot, but for an author you really need to be on it. I know from fact that many people who bought Magicians did so because they heard about it on social media and if I hadn’t made repeated mentions of the book, where to buy it, and where I would be appearing, those copies wouldn’t have been sold. But it helps to use your social media judiciously and not just be a “buy my book please” type of writer. Save that for your personal website. Also, please buy my book:
Your publisher will get your book into stores. The rest is on you.
St. Martins did as good a job as any to get the word out about Magicians. They sent out galleys, they hosted giveaways, they beat the drum. They did everything they could for it, but mine was only one of dozens of books they needed to get the word out on that month, and after a certain point, it’s on the author, and the book to sell themselves.
Just when you’re feeling your worst someone will write to you and tell you they liked your book.
The life of a writer is an up and down one and I’m not just talking about earnings. It’s a rough ride, a tough job. You feel every negative review or comment or critique and you can’t help but take criticism personally. But then you’ll receive an email, or read a review where someone absolutely LOVED your book. And it makes a difference, believe me; not just the review itself, but one that’s posted on Amazon or Goodreads that others can read when considering whether or not they want to buy your book. So if you HAVE read and enjoyed Magicians Impossible, please consider leaving a review. They do make a difference.
Just when you’re feeling pretty good about yourself, someone will tell you how much they hated your book.
The things one reader hates about your book/your writing will be the same things another loves.
It’s true. I could do a diagram of positive to negative critiques and they’d probably even out. Someone loves your main character; someone else hates him. Some think the story is too fast-paced; other think it too slow. It has a great ending, it has a lousy ending, packed with brilliant writing, or just absolutely terrible writing. Without fail, for every praise-worthy review your book gets there will be one that says the total opposite. You aren’t going to make everyone happy with your book or your writing … so don’t try to. Art is at its worst when it tries to please everyone; inevitably it ends up pleasing no-one.
Take your work seriously.
Want to be considered a professional? Act like one. Set a schedule and stick to it. Doesn’t matter if it’s only 30 minutes a day, or only on weekends. Just do it. And while some writers delight in being confrontational online (because those are the posts that attract the precious clicks) remember that you are representing your publisher as well as yourself. Don’t get carried away with online drama and never, EVER reply to a bad review of your book.
Don’t take yourself too seriously.
Writing is make-believe – it’s supposed to be fun. If it’s not, why are you bothering? Because – and this may be surprising – there are much better, more reliable ways to warn a living than by being a writer.
The only person you’re in competition with is you.
It’s easy to look at other authors – some you know personally, some only by reputation – and compare their successes with yours. Some make the bestseller lists, some don’t. Some win all the awards, the rest won’t. Some attract a massive fan base; others will struggle to get anyone to pay attention. But really there’s only one person you’re in competition with and it’s the face staring back at you from your bathroom mirror. Because every best-selling and award winning writer began where you did – unknown, just starting out, hoping someone somewhere likes what it is you’re doing.
Being a successful/published/award-winning writer will not make you happy … if you aren’t happy already.
The things that make me happy – truly happy – boil down to two people who I share my life with. First is my wife, who’s supported me and encouraged me and believed in my when I wouldn’t believe in myself. The other is my son, who looks at me like I’m some magician every time I fix one of his toys, or take him to a museum, or just surprise him with a new book. They’re why I do what I do. They’re what gets me up in the morning, sits me at my desk, and makes me type out words. If you’re not happy in your life without writing, you never will be happy writing and that will show in your writing.
So write, but be happy.
Otherwise what’s the point of any of it?
2019 update: Since writing this post, Magicians Impossible has entered THE BLACK, meaning it earned back its advance. I’m told this is impressive as: 1.) Most debut novels DON’T “earn out” as they say in the biz, and 2.) Most debuts don’t earn out within roughly a year of publication. What this means to me is I now start seeing royalties from each sale the book makes. So, if you’ve been on the fence about buying Magicians Impossible, now’s as good a time as any to check it out. For me, more so.
It’s 1993. I’m 20 years old. I’m sitting on a bench atop a hill, watching the kids at my old school play at recess down below. I’m remembering a time not long before; only ten years but those might as well be a lifetime. I remember that old life, and the things in that life that meant the world to me, if only for a short time. I think back to a day in 1985, shortly after my 11th birthday when my dad came home to tell us we were moving again, this time to North Carolina. This was to be a temporary move, a 2-year “loan assignment” that meant at the end of the assignment, in 1987, we were moving back to the same house on the same street, and I’d start high school with the same kids I’m in Grade Six with now. The promise of return is a salve, because I really like it here and our house and our pool and all of it and don’t really want to leave. But we have to, and come July, that’s what we do.
The first thing I notice about our new city – Greensboro – is the abundance of shopping malls and department stores, each with a toy section out of my wildest dreams. And my parents, knowing this is a rough move on my sister and I, are very generous with the toy purchases. My dad even finds me a local comic book store and says we can go there once a month to buy the latest GI Joe comic book. While I missed my friends, it looked like our time in North Carolina would be enjoyable.
Then school started. I hated it.
Bane of my existence, 1985-1986
This wasn’t like the other moves. Those were always met with some excitement. But this felt different because I was different. I was settling in. I had friends. I had a life I was happy with. And it was all being torn away from me.
Now, being into toys, and being into GI Joe at the ripe old age of 12? That was a sure ticket to Loserville, Population: you. I found this out one afternoon during school, in the first or early second month. The way the campus was set up was the main building as this big rectangular cinder block running north-south along the street, with an annex to the south, and a gymnasium building with classrooms adjacent to the north. My homeroom was in the south annex – my first class of the day was in the north building. I’d have to transverse that distance within the three minutes we had between classes before the bell rang. I was walking along the path leading to the building when I passed a group of grade eight and nine boys surrounding a Grade 7. I slowed enough to hear them calling him “baby” and “little boy” and some other words I won’t get into. Lying at the boy’s feet was a small plastic toy I recognizes immediately as Snake-Eyes Version 2 – the Ninja version. I know this because I had it too.
And still do …
I slowed almost to a stop, enough so that the kid looked at me with these eyes I’ll never forget. Like a trapped, frightened animal. I don’t know the circumstances for the toy. Maybe he brought it to school because he liked having it close. Maybe he was hoping someone else would notice it, and recognize it, and maybe talk about their toys.
Maybe, he was looking for a friend.
I wish I could say I interceded and told these much bigger kids to leave him alone. I wish I could say I called a teacher over because bullies are bullies until they’re dealt with. I wish I could say I charged in fists swinging to protect this kid. But what happened was one of the older kids looked at me, and not wanting to get involved, I resumed walking, faster now, and leaving the group behind.
3:15 couldn’t come quick enough. I took the bus home; I went up into my room and closed the door. There were some toys left out from the previous day’s adventures but somehow they felt different. I couldn’t look at them, let alone pick one up without thinking of that kid at school.
Were this a movie or TV show, I would have shown up at school the next day with a GI Joe figure and tracked that kid down and ask what he thought. I wouldn’t have cared what some Grade 8 or 9 boys who would never be my friends anyway thought. Maybe that kid and I would have become friends. But i I didn’t do that. I saw that kid occasionally around school but I never approached him to say hi or that I thought those other kids were jerks and that Snake-Eyes was cool. I wish I’d done that, but I didn’t.
1985 became 1986, but GI Joe didn’t continue with me. It didn’t seem as cool as it once was. I felt like I had failed, that I wasn’t living up to the ideals I thought the toy was supposed to instill – bravery, honor, and loyalty to your comrades. I got self-righteous; this was Grade 7. 12 going on 13. Toys? They were for little kids. How on earth could I show up with GI Joe toys at school and expect to make friends?
It was a long, lonely time for me. I still had the comics and still kept up my collecting with that once monthly visit to the local comic store (subsequently branching out into more mature titles like Watchmen and The Shadow). I received my last batch of GI Joe toys that Christmas. I may have played with them a bit that holiday week, but they went into the closet come January and that’s where they stayed even. The toys were packed up and moved up north but they stayed packed away in those boxes for the next 30 years. By the time I started Grade 8 in yet another new town, I was heavily into music and that became the way I made friends; with mixtapes and playlists and record collections. Without friends to play with, my toys were all kind of … childish.
Back to 1993, back to that bench overlooking that park, and that playground. I sat there the full fifteen minutes watching kids ten years my junior playing. Kids probably born the year I discovered GI Joe and started to fit in with my new surroundings. I wondered what toys they were into now. I wondered if they helped kids make friends with other kids. I wondered how many of them would give up their toys in similar situations as I did. I remember feeling saddened by the whole thing. Childhood is one of those things you endure. Kids can become friends in an instant, and you can break that friendship apart just as quickly when you find other kids – hipper, cooler ones – that you’d rather be seen with.
The recess bell rings. They kids race back inside. The doors close, and I’m alone again. I pick myself up, trudge back down t to my waiting car, climb in, and drive home.
It’s 2018. I’m far from from that park and playground, far from that life. I’m a father now, and am re-experiencing childhood again through my son’s eyes. The GI Joe toys are all gone – sold off to collectors a few years ago. I kept a few favorites though, because you can’t completely part with the things from your childhood. I didn’t need the money, or even the space. I just needed to say goodbye to them and let someone else take joy from their presence. And as I saw them all exit my life, one parcel at a time, I realized they were just … THINGS. Pieces of plastic and die-cast metal. That’s it. And I think the decision to sell them made all the difference in my life.
You can appreciate your childhood, and should do so, but not at the expense of the here and now. For a time those pieces of molded plastic assembled in Taiwan and shipped overseas to fill toy-stores everywhere was our entire world. They were important to me. They meant something, at a time when I was still figuring out what life was all about. For a boy who moved around a lot as a child, those toys became my friends at a time when I didn’t have any. My childhood memories divide up into neat, tidy compartments; the toys I played with, the comics and books I read, are all linked to a place and a time.
I don’t know how long we’ll stay here in this new city. But I do know and hope that my son will find the same joy, the same warmth, the same friendship with those toys he comes to love. Because sometimes childhood is as much about the things you cherish for an all-too brief moment in time.
It’s December 1993. I’ve just returned a car-load of film equipment to the Film Building at my university, where I’m a student. I’m in a contemplative mood this day and with nothing else on tap for the afternoon, decide to take a little drive.
The car is mine. I was home for my mother’s birthday at the end of November and decided to drive back to school seeing as I’d be coming back after exams a few weeks hence. I’m renting a house in the city’s west end with five other film and theater students so I have free parking for the month.
I drive without any real destination, but when hunger pangs hit I decide to drive up to my old neighborhood – the one I lived in ten years before, which would become, in my memory anyway, the happiest time of my life. There’s a burger joint near there I used to frequent, one of those old-school 1960s establishments that hasn’t changed in the fifty years since it was started. I go and grab my favorite meal – steak on a Kaiser with pepper and a little bit of BBQ sauce, onion rings, and a chocolate shake.
I park, I eat, then I keep driving, the car smelling of my lunch. I drive north. I cruise past my old house; I swing through crescents and side-streets where I used to play with the other neighborhood kids. I swing past the house of my best friend, who’s still living there, but is at work that day. The memory tank has been refilled, but I’m not quite ready to go home yet.
I pull over and park at the edge of the local park, get out, and climb a slow sloping grade of landfill that’s been turned into a hill. We used to just call it the “toboggan hill” because that’s what we did on it in the winter. There’s a bench and a couple lonely pine trees at the summit, and when you sit there you have a view of the playgrounds and baseball diamonds, and elementary school below.
This was my old school. The one I attended for only a few short years – April 1982- to June 1985 – but it still looms large and casts a long shadow over my life then. 1993 has been a rough year for me, and December of that year marks the one year anniversary of my parents announcing they were separating. I’m so devastated I nearly flunk my first year of university, but I manage to pull my grades out of a nose-dive and pass. Barely.
So that’s my frame of mind as I sit on that bench and stare out over my old school. It’s just before 2:00pm. I know this because the recess bell rings a minute or so later, and the kids come streaming out. To play four-square. To throw the ball around. To jump rope and play on the playground equipment – the same I played on ten years before.
What does all of this have to do with GI Joe? Everything.
It’s April, 1982. We’ve just moved to this new city. Moves have been a fact of life for me. By 1982 I’ve lived in six different cities. I just turned 9 years old. By this point I know the drill; my dad comes home to say “we’re moving again” because he got another job transfer and promotion to go a long with it. A move means excitement and sadness in equal measure. Excitement because it’s a new city, a new house (our new one will have a swimming pool), and new friends. But a move also means saying goodbye to old friends. In this pre-internet era, goodbyes really do mean goodbye. It means never seeing those familiar friendly faced again. You move away, they move on, and pretty soon you forget what they looked like.
We move just before Easter, which means I and my sister are starting at our new schools nearly through the end of the year. I have two months of Grade 3 and then summer. Will that be time enough to make friends? So the spring as I remember it is cold, dark, and lonely.
I can’t remember the actual date, but the specifics of it, I’ll never forget. It must be some afternoon after school I first see the commercial. It’s slick, animated, and trumpeting what looks like a new cartoon series. But it’s not a cartoon series, yet. It’s not a movie either. It’s this:
Now let me paint a picture for all of you here in the year 2018. In the 1980s, things were slower. The pace was different. Your average hour long TV show ran 52 minutes. There were only a handful of TV channels. Music was on the radio. There was no MTV outside of a few small outlets in the US. If you wanted to go shopping, you went to a mall. Movies? The theater.
And Star Wars movies were released 3 years apart. Three years to a 9 year-old may as well be a lifetime. But fortunately you have the toys – the action figures, the vehicles, the play sets. You have the comics and newspaper strips – al of which is designed to keep you interested in the property until the next installment.
But there was something else these little pieces of molded plastic were important for – something the designers didn’t anticipate. They were how you made new friends in new cities. Just the act of bringing a Star Wars toy to your new school was enough to get other kids to come over and talk to you. Several friendships (short lived ones, but friendships nonetheless) began that way. I’d bring a Bespin Han Solo or Hoth Luke to school; some kid would ask what other Star Wars toys I had. I’d tell them, they’d tell me theirs. They’d invite me over to play, and vice versa. Toys were how you got to know others. They were how you found your new tribe.
By the time I moved it had been two years since The Empire Strikes Back. Five since Star Wars. Time moves slow as a child but it moves really slow when you’re a Star Wars fan. You need toys to fill the gaps between films. Between Star Wars and Empire alone there was Battlestar Galactica, Buck Rogers, and The Black Hole. Between Empire and the third installment due next year – Revenge of the Jedi – there’s been Smurfs, and Indiana Jones, and a lot more I’ve forgotten. But they’ve all been peg-warmers and gap fillers. By 1982 nobody is playing Battlestar Galactica. They may still be playing Star Wars, but the wait between films is so long to a 9 or 10 year-old. You need something else.
And so it was, one evening in April, when my mother was taking my sister to the local mall to do some clothes shopping one evening after school sometime in April. I begged off to browse the toy aisle, and when I get there the first thing I noticed were the colors of red, white, and blue on the floor display.
GI Joe: A Real American Hero.
The packaging was the first thing that lept off the shelf at me. Whereas the Star Wars figures featured the toy in a plastic bubble and a photo of that character (no matter how minor) from the movie, these featured a beautiful painted image of the character in action. The back of the card featured smaller paintings of the other figures in the line, and below those, a file-card with the character name, code-name, rank, specialty, and place of birth. With nothing else to go on but the packaging you had a psyche profile of what that character’s personality was like.
I begged my mom to buy me some. She ended up relenting and getting me three: Breaker, Grunt, and Snake-Eyes. I took them home, took them out of their packages, and plated with them until bed-time. But the real fun came the next day when I snuck Snake-Eyes into my book-bag and took him to school. Come morning recess, I brought him out and it was like moths to the flame. None of the other kids had seen a GI Joe up close before, though they had seen the commercials. So here was the new kid with the hottest new toy. And from that moment, friendships were born.
That was just the beginning though. See, I didn’t really get “in” to GI Joe beyond those first three figures. They were just three tots if many, and my heart still belonged to Star Wars.
In 1983, we were on vacation in Vermont, and on the first day I broke my leg skiing. That vacation became a three-month odyssey of traction and body casts and being stuck at home. And while some school friends did visit me (and I did have a tutor so I could keep up with school) it was a very lonely time.
Then my dad came home from work one night with a gift for me. Well, two gifts anyway. One was a new GI Joe called Snow-Job, the other was a snowmobile called the Polar Battle Bear.
Which I still have, by the way.
Maybe he picked those because he knew our ski vacation had been cut short and I blamed myself, maybe it was just because he wanted me to have some fun while I was bedridden, but it did the trick. By the time the cast came off I had acquired more GI Joe toys. I. Was. Hooked. By the time September rolled around Return of the Jedi had come and gone, but I was fully on the GI Joe train. Joe became the linkage to my friends, and their interests (including the aforementioned best friend who I met that September because he was talking about James Bond, another of my childhood touchstones).
And for a GI Joe fan the hits kept on coming. That September saw the release of the 5-part miniseries A Real American Hero, which aired on a local station after school Monday-Friday. That Christmas I added a whole slew of new GI Joe toys to my collection – the MOBAT Tank, VAMP Jeep, Dragonfly Copter, the Headquarters Command Center, and more figures. Joe became my life, but in no bigger way than the following summer when visiting some old friends out west who introduced me to the Marvel comic.
The first issue I ever bought. Still have it too.
That span of years, from 1983-1985 were some of the finest of my life, and it was largely due to those little plastic men and women.
They say as an author you should never read the reviews of your own work. As an author I can say with authority you can and inevitably will read reviews of your work, especially when it’s your first novel. The good news is Magicians Impossible has been relatively well-received especially for a debut. It received multiple starred reviews, it made some top ten lists, it made some Best of 2017 lists.
I got some great fan mail too. People telling me Magicians broke them out of a reading rut.Some even saying it was one of the best books they ever read.
But of course not everybody liked it. And I’m not going to address any of that because why would I? Not everything is going to be someone’s cup of tea. A book, like any work of art, is what it is; it never changes. And how a person responds to it is 100% on them.
That said there is one recurring criticism of Magicians Impossible that I would like to address.
For some readers it all has to do with how quickly Jason seems to master his levels of magic. Some seem to feel it all happens in a couple of days. Some say a week. Those who paid attention would guess correctly that it more or less takes a month.
Here’s the correct answer. Spoilers lurk within so if you haven’t read Magicians Impossible why on earth are you visiting my website?
I mapped out the events of the book before I put words to paper, just to get it straight in my mind. Using October 2018 (the year after the book’s 2017 release) as a guideline I made a calendar of events so I’d know what happened and when.
Damon’s opening mission takes place on Friday September 28th. His funeral is Monday October 1st. The events that transpire up to the climactic events of Murder Hill happen between October 1st and October 29th – so four weeks total.
The bulk of Part One – everything from Damon’s Funeral through Jason’s visit to the Oracle takes place between October 1st and 5th. After the Oracle, Jason is on lock-down with no further training, and spends the next two weeks honing his Adept and Archmage skills. He doesn’t next advance in levels until the Louvre mission, which takes place on October 23rd when he “blinks” on his own for the first time, showing him he has the abilities of a War Seer (Level 4). He later wields an Enchantment spell (Level 3) on the Paris metro. Since it’s established that levels of magic are cumulative, it’s not out of the ordinary for you to leap ahead a level then backtrack to master the previous one. All told that’s a span of 19 days.
The rest of the story – the Temple of Bones, Jason’s visit with Damon, his throwing in his lot with the Golden Dawn, the Battle of the Citadel and Murder Hill takes place between October 24th and the 30th. There’s a three day (October 25-28) span between Jason deciding to join the Golden Dawn and his theft of the Sphere of Destiny. In that time he hones his newly acquired skills as an Enchanter and War Seer. He crosses over to the Diabolist Level on Murder Hill.
Now some would argue a month is too quickly to learn these skills let alone master them. But those people ignore the events at Murder Hill on July 4, 1999 when Jason was 12 years old and first exhibited the abilities of a Mage. But as he never got his Hogwarts letter or was recruited into the Invisible Hand those skills lay dormant until he crossed the threshold into the Citadel, where those powers began to be unlocked, by passing through the many doors and chambers of the Invisible Hand’s fortress.
So if you yourself was questioning how someone with no training could and advance so quickly, I hope the above clarifies it. And if not, maybe the below will. This is the calendar I put together three years ago when I was just drafting Magicians Impossible. Some details may have changed but I pretty much adhered to this breakdown.
There are other criticisms I’m sure and I take no issue with any of them, not even the ones that accused me of ripping off books or video games or TV shows I’ve never read, played, or watched. I wasn’t even completely sure I should even address the timeline, but for people who surfed on in looking for answers, maybe this will do that.
[As a follow-up that’s not to say Magicians Impossible definitively takes place in 2018 or 2017, just that in my mind it takes place later this year]