I Think We’re Alone Now

The Carolina Circle Shopping Center opened in 1976. Situated in the northeastern section of Greensboro, North Carolina, it survived in one form or another until 2002. For the year and a bit that I lived in Greensboro from 1985 through summer of 1986 it was the mall I most frequented.

It had a bitchin’ arcade called Tilt…

This is the only picture I could find online, but it’s way in the back past the sullen teenage smoker

It had a great first-run movie theater…

Even when the movies weren’t so great …

It even had an indoor skating rink (the only one to be found in Greensboro at the time).

Later replaced by a Carousel…

It had book stores and record stores and toy stores and others not as appealing to a twelve going-on thirteen year-old. There was a Toys R Us and a K-Mart “out-parcel”, meaning outside the mall structure but close enough to jog across the parking lot to visit. There was even a restaurant and bar called Annabelle’s to draw in the adults. That’s right; adults used to go to the mall to meet up, have dinner and a few drinks, and then go see Schwarzenegger in Commando.

First Schwarzenegger flick I ever saw in a theatre.

It was a shopping mall; this much is clear and this much is true. But it was also a gathering place with a strong sense of community. There were concerts. There were magic shows. Santa’s Village was there for the holidays, Halloween décor ruled the roost in October, the Easter Bunny made his customary appearance as well.

There was shopping, yes, but you could easily spend several hours there without the expectation of shopping for anything other than a slice of pizza, a New York Seltzer, a few rounds of the Indiana Jones and the Temple of Doom game at the arcade, and a screening of Back to School with Rodney Dangerfield, Keith Gordon, and Robert Downey, Jr.

You could do all of the above on less than $20 dollars, I might add, and still have money left over to drop on a new G.I. Joe figure or two…

Heaven …

The most memorable visits to the Circle would have been that summer of 1986 when my buddy Mark visited from Toronto for two weeks. I’m certain we went several times as he was blown away by how cool the malls in North Carolina were. And while I hated the year I lived in Greensboro I will still admit that in the summer, the off-school weekends, it wasn’t so bad. My mother would drive us over, I’d arrange to call when we were ready for pick-up, and we’d just go off and explore the place. Unaccompanied, unencumbered by deadlines and time limits. When we’d exhausted all the mall had to offer I’d use my last remaining quarter to call home and fifteen minutes later (we lived close by) the family Pontiac 6000 STE would roll into the lot and we’d head home.

It was a ritual Mark and I knew well. Back when I still lived in Toronto it wasn’t uncommon for my mother or Mark’s to drive us and another friend or two over to the Scarborough Town Center or Fairview Mall to do pretty much the same thing. Get food, see a movie, hit the toy and music stores (Scarborough Town Center also had a bitchin’ hobby store – The Hobby Hut – which was always well-stocked and always overpriced) and if there was an arcade, play video games. We’d spend hours there, and the malls encouraged us to. Not by saying “hey, it’s okay to hang out here and have fun without shopping for something” but not not saying it either.

When I moved to Brockville and eventually got my license, my friends and I made Kingston’s Cataraqui Town Center our preferred mall for movie-going and general goofing off. It was a 45 or so minute drive down the highway and whenever a new movie was playing there that wasn’t at our local cinema, we’d convoyed down the 401, grab tickets for the show a couple hours early then just wander the concourse, grab dinner at the food court, and browse the shops before convening at the theatre to see Bill & Ted’s Bogus Journey, Point Break, or Predator 2.

Ottawa had (and still has) its downtown Rideau Center, and on school trips to the museums, Parliament Hill, or the National Arts Centre, between arrival and whatever we were there for, we’d be allowed a couple of hours of free time at the Rideau to do whatever we wanted.

Then came Toronto and Film School. The Ryerson Campus was and to this day lies just north and east of the Yonge-Dundas intersection; Toronto’s version of Times Square. The Eaton Centre sits at that intersection and in that first year living in Toronto at the Ryerson residence, meant one of Canada’s largest shopping centers was a short walk away. And again, that ritual of browsing the shops, wandering the concourse, grabbing a bit in one of the food courts, then heading to the Eaton Center’s 18 (!) screen multiplex to take in a show, became one of those regular rituals for my film school buddies and I. 

The 2000s were not good times to be a mall. Towns and mid-size cities, seeing how the big suburban malls had decimated their downtowns, incentivized retailers with tax breaks to draw people back to the town square, where that social life of a city first began. The death of the mall was hastened with the rise of online shopping; Amazon, Wal-Mart, Target, and those big retail supercenters resting near highways replaced the experience of going to the mall. These were not an improvement.

In the Carolina Circle case it was a combination of many factors. The mall began to attract an unsavory element; gangs would brawl in the parking lot and sometimes in the shopping center itself, and the Montgomery Ward store became an infamous hangout, apparently, for gay men hoping to engage in some illicit behavior. Families stopped going as a result, and parents wouldn’t allow their teenage kids to venture there unaccompanied. The movie theater closed, the arcade followed, many of the big retailers left. Bye-bye Waldenbooks and Camelot Music. Bye-bye Montgomery Ward and Toys R’Us, bye-bye Belk and Ivy’s and Dillard’s. The big death knell sounded when Radio Shack – “The Shack” being the one retail outlet that never seemed to die – left; if a mall couldn’t sustain a Radio Shack you knew its days were done.

The Carolina Circle officially died in the early 2000s, closing in 2002 and demolished in 2005. The site is still there though; redeveloped into one of those complexes of box stores like Wal-Mart and Lowe’s

Pictured: “progress”

Thinking of the many shopping malls of my youth, the Carolina Circle stands out because it seemed to be a mall built for people to gather as much as it was a place to shop. It had the arcade, the rink, the theater, and the book, record, and toy stores. It had places to draw people in not necessarily to buy things but to just be there. It was a place to go where it was impossible to be bored. There was always something to do.

The Fairview Mall and Scarborough Town Center still stand but they’ve been heavily redesigned as well. Fewer record and book and toy stores. Smaller food courts. Nothing so grand as skating rinks and carousels and arcades. These “New Malls” don’t want people to just hang out; they want them to spend money, see to their business efficiently, and go home. Movie theaters were closed or moved to larger state-of-the-art facilities across expansive parking lots. You didn’t even need to go to the mall if you were going to the movies. As a result you didn’t spend your money in those malls either, hastening the departure of the cool, quirky, funky stores that existed solely to draw you in the first place like The It Store, SpyTech and Razz M’Tazz.

It was a different era, both for the stores and shopping opportunities available, but also for all the stuff we could do. If you had nothing going on, you could go to the mall and usually find something; a new book, a new cassette or CD, grab a burger or slice, and see a movie. When we got older and discovered girls the mall became the place we hung out to watch and be watched in return. Rain or shine the mall offered an escape from home and family, especially when your relationship with both was going through a rough patch. It was a meeting place; even the small Thousands Island Mall in Brockville’s north end was a place you could just wander through and be guaranteed to see someone you knew from school, either working there or like you just wandering.

I couldn’t find a vintage photo of the 1000 Islands Mall but fun fact anyway.

In this 2023 world of ours there’s a great deal of nostalgic longing for the mall experience especially from the generation born after their heyday. At the height of their popularity in the 80s and 90s though many wondered what the appeal of the mall was. Why wander through a sterile shopping environment of chain stores and restaurants? How was a mall better than shopping on your main street, with its shuttered shops, drunks and homeless, and beat cops telling you and your friends to “move along” while stern faced civic leaders and shop-keepers glared down their noses at you? Why?

Because they were fun. George A. Romero’s all-time classic Dawn of the Dead and its thematic derision towards consumer culture gave us the Monroeville Mall post-zombie apocalypse but even then Monroeville looked like a fun place pre-zombie; skating rink, cool elevators, wide expansive spaces big enough for a fleet of motorcycles to drive through. Grocery stores, arcades, fine dining spaces. We could spend the day at Monroeville, Carolina Circle, Cataraqui, and Fairview without buying a thing. We could go grab movie tickets, and have time to kill before showtime, and just wander around. Or after the movie we’d stay, grab dinner at Lime Rickey’s or Shopsy’s and just chillax.

Seen Dawn of the Dead enough times you can probably hear this image.

Today’s malls feel different. There are a couple of big ones not too far from where I live. One is kind of fun; it has a couple toy and collectible stores, it has a Lego store, it has a decent food court and it has a Dave & Buster’s. No bookstore though; which is a big detriment as far as I’m concerned. Yes I judge a mall on the basis of a bookstore being present or not.

Dear shopping malls: you have a bookstore, I WILL spend money there.

The one closer to me is the one I call the rich person mall. It’s one I rarely go to because it’s geared solely to the commerce, not the social. There’s no food court, there’s no theater, no books or toys and games; there’s no gathering place and as a result it’s kind of sterile. I rarely visit it unless there’s a specific reason. Maybe that’s by design; the rich like having their little enclaves the rest of the population steers away from, but you’d think a shopping mall would want people to shop there.

Malls are not what they used to be. They are now purely transactional spaces; places of commerce, full stop. You go, you shop, you get out. No loitering, no goofing off with friends. Where are your parents? Don’t make me call security. You aren’t a person in need of distraction, or entertainment, or even community; you are a carbon-based lifeform whose duty is to consume and if you’re not there to do that then you should be someplace else.

Some say good; that malls were bad and we should feel bad for liking them. Better they die out entirely and encourage people to shop closer to home, on Main Street, supporting those local businesses. But even doing so is a strictly commercial activity. You can’t sit on a bench outside for too long or people will think you’re up to something. There may be open air spaces with chairs and tables. The chairs are chained down; the tables and seating have a thirty minute limit. Spent long enough in one place someone will come up to you to beg for change, ask if you’ve accepted Jesus as your lord and savior, or suggest you move on. There are no more arcades because they always did attract an “unsavory element” and besides you have a phone; go play games on that, preferably at home but if not could you turn the noise down because those bleeps and beeps are bothering me.

Yes, because who wouldn’t prefer a silly little phone game to this?

There’s been a great deal of talk these days about the decline in what has been called the “Third Space”. The social clubs, the bowling alleys, the organizations that people used to go to be with other people, all in decline, and the ones that aren’t charge a premium for use. Malls used to be a Third Space but not anymore. We could spend the day just hanging out, going to the movies, playing video games, seeing friends. But nowadays with more of our socializing done online we’ve been breeding a generation that doesn’t know how to socialize in the real world, and the older generation too has lost that sense of community.

Know what you do see when you go to many malls now? Elderly people. The ones born in the 1930s,1940s, and now early 1950s. The ones who shopped at those malls when they were in their prime; parents with young children in tow. When the malls were a place you could go to meet up with a friend, to shop, have lunch, stroll and browse and just be someplace. As the mall became less central to commerce and the day-to-day the elderly seem to be the ones who still see it as a gathering place, to sit amongst hopefully happy memories and wonder where the time all went. The elderly who still congregate at the mall food court and seating do so because they too have nowhere else to go.

Bridlewood Mall in Scarborough, not far from my old neighborhood there. The top photo is from 1974 showing the cemetery where the mall is now; originally the village of L’Amoreaux. The cemetery is still there in as potent a metaphor for the state of the mall today as you will find anywhere.

Young people are even turning away from getting that rite of passage known as the Driver’s License. Good in a way, but also a little sad; pollution aside a car represented freedom when I was seventeen. It granted me an independence and my parents allowed me that freedom in part because through those earlier years of being dropped off at the mall or the movies, I always made sure to call when done, or just as often be outside the entrance to The Bay or Towers or Zellers at five sharp for pickup or else. Driving to Kingston with friends to see a movie didn’t require me to “check in” by phone; just that I be home no later than 11:30 or else. My parents even let me drive to Toronto to the first Lollapalooza festival in 1991, without my having any idea where I’d be staying that night, or any ballpark of when I’d be back the following day.

Irresponsible? Maybe, but freedoms such as these did prepare me for college life, more so than a lot of high school classes and prep work did. They encouraged me to be responsible, to be safe, to know how to manage my time even when it was the leisurely sort. But who cares about drivers licenses and access to a car now when you can either Uber or Lyft to a friend’s or have mom or dad drive? But what is more heartbreaking is what they’ll tell you when you ask them why. Why not get a license? Why not choose that freedom?

“Where can we go?” they reply. “There’s nothing at the mall for us to do except spend money we don’t have. There’s no clubs, no arcades; no places to hang out. If we do go, security tells us to move along. We’re treated as a nuisance, as a distraction, as possible thieves. We can watch movies online; we can connect with friends by phone or text. We don’t need to leave home to do any of that.”

And what do we adults say?

“Kids today spend all their time on their phones! They don’t go anywhere or do anything! When I was a kid I’d be out until the street lights were on. We’d go to the movies, to the mall, we’d cruise the street, we’d hang out. What’s wrong with kids these days?”

Yes, these are the same adults who’ll see a group of teenagers hanging out in public and presume they’re up to no good. Out come the phones, in come the cops.

The loss of the Third Place has been documented extensively, most notably so for me in Kristen Radtke’s excellent graphic novel Seek You: A Journey Through American Loneliness. In her book, Radtke identifies loneliness as the challenge of our time because we are social animals; even the introverts. We all seek some form of connection; some one-on-one communication. And year-by-year we lose a bit more of that skill by using it less.

Yes, there is social media. there’s Facebook and Instagram and Twitter (or whatever they’re calling it this week). But I am not being the biggest fan of handing our daily interactions over to tech companies who exploit that loneliness purely so that can make money off of you. Social media is all about a binary yes or no interaction; and one where the negative far outweighs the positive, exposure-wise.

And that negativity permeates the day-to-day. Think of all those distracted drivers sitting at the light before you, head down, scrolling through the phone in their hands as the light turns green and people start getting impatient. Think of the teenagers gathered around the school entrance, huddled with their heads down, hooked on their phones the way their parents were hooked on cigarettes, trading one addiction for another. Think of every short-tempered, rude person you had the misfortune to deal with because thanks to their online push-button world any irritant or delay sparks rage and not patience and understanding.

I’ve long been fond of saying the brain is like any other muscle; if you don’t flex it now and then it will atrophy. That’s why we challenge ourselves with books, with learning, and, yes, in dealing with other people. Loneliness has an effect on our lives and life expectancy. People can die of loneliness. Loneliness takes a lot out of you and it’s dispiriting to find yourself in a world that seems determined to keep us isolated and lonely all so it can sell us things we don’t need but still buy if only to give our brains that little endorphin hit to keep us going.

I also worry about the people who allow themselves to be poisoned by an increasingly negative online discourse that keeps us isolated and angry by design. Therein lies a cautionary tale for us all because every moment we surrender to anger is one we never get to surrender to joy. What I see are people doing way more of the former than they do with the latter. Anger is addictive. Outrage too. And companies are making money off that anger.

The mall isn’t coming back; not the way they existed in the 70s through the 90s. It’s one of those passing eras that we kind of took for granted, like the video store and the arcade. Those places that were here one moment, and gone the next and over before we realized. The death of the Third Place continues to have lasting impact on us because we need physical spaces for commerce-free interactions.

It’s why I’ve long been a supporter of public libraries. To my mind public libraries are the best thing our society, flawed as it is, has given us. A place we can go without requirement of a door fee or expectation we’re going to spend money. A place we can take our children to story-time, where we can borrow armloads of books, where we can attend lectures and performances and seminars. Where we can just … talk to people, but quietly, please; the librarian told us to. Rain or shine, having a library may not be as exciting as the mall once was (and, frankly, might be again as more people realize the necessity of that Third Space), but it is a place where you can go and be seen and maybe feel a little less lonely.

And so let’s all pour one out for the great shopping malls of our youth, and for me in particular that long-gone Carolina Circle Mall, which for a time provided a refuge for a sad, lonely child not getting along very well with Greensboro. At that mall I felt a little happier, a little more comfortable. There were things to do, movies to see, games to play. It only exists now in my memories and the occasional dream where I’m walking the concourse, feeling that chill as the air temperature drop as I near the skating rink and the arcade just beyond it. I can hear the bleep of video games, I can smell buttered popcorn from the movie theater, and I can sometimes taste the Black Cherry New York Seltzer on my tongue.

But it’s a place I can only visit in dreams and that’s sad. We spend so much of our childhoods trying to run away from home and so much of our adult lives trying to run back but like so many things, once a place, a time, or a moment are gone they don’t return quite so easily …

Celluloid Heroes Part I: The Power of Love

(This is the first in a series I’m calling “Celluloid Heroes” (HT: Ray Davies) in which I take a look at the movies that made me, or at least had a very outsized influence on me growing up. This installment will be followed by two more, running through this summer, and I hope to continue the series through the years ahead.)

So without further ado, “when this baby hits 88 mph you’re going to see some serious shit.”

Iconic

You could argue that of all the movies of the 1980s, the one that stands above all others is this one. Back to the Future. Released on July 3, 1985, easily the most 80s year of the decade, it was a massive commercial and critical hit. It stayed in theaters for months, making money hand over fist. 

I also think it holds the crown for movies most about the decade they’re actually set in and BTTF is 100% 80s. Marty McFly (Michael J. Fox, as if you didn’t already know) wants to get back to his year, 1985, the year of the film which automatically dates it, as though a “dated” film is a bad thing when few films released are remembered a year after release, let alone thirty-eight (it’s true; look it up. Also, sorry). 

But what makes Back to the Future the 80s movie? Why not Ghostbusters or Gremlins, why not Robocop or E.T. or Die Hard?

Let’s break it all down;

1. It’s a Teen Comedy

While teen-centered movies had existed before the 1980s it wasn’t until the 80s that they became a genre. Films made for and marketed to the prosperous children of the prosperous Baby Boom generation. The kids now called “Generation X”. Films like Fast Times At Ridgemont High, The Breakfast Club, Valley Girl and all their offspring.

Also iconic

So looking at Back to the Future through that lens as a teen movie, it works. It’s a cool teen with problems who goes to experience life as a teenager in his parents’ era when they were teenagers. One of the reasons I recommend George Gipe’s Back to the Future novelization (copies are easily attainable and affordable in the secondary market) is that it really delved into the differences between 80s kids and 50s kids, which is quite the trip to read in 2022, where the 80s are as far removed from us as the 50s were to the 80s. If Back to the Future were made today Marty would time-trip back to the distant year of 1992 (again, sorry).

2. It’s a Spielbergian fantasy

You can’t talk 80s cinema without talking Steven Spielberg. The guy was and remains a master filmmaker, but it was his aesthetic, the “Amblin feel” of so many classic 80s films – Poltergeist, Explorers, Gremlins, Goonies, Back to the Future – that suburban living could lead to adventure, that the fantastical could drop on your doorstep, that became a genre unto itself. Even today, with Netflix’ Stranger Things series, the Spielbergian influence is front and center.

NOT iconic, but man is that beautiful

The biggest genre films of the decade – the Indy trilogy, E.T., these films he produced – sparked wave after wave or imitators and homages. And Back to the Future, despite being a Zemeckis-Gale joint, has Spielberg’s fingerprints all over it, right from that look of awe on Marty’s face when he sees the DeLorean for the first time. Those somber, reflective moments like when Marty pens a letter to Doc Brown (Christopher Lloyd) warning him of his future murder. Seeing his parents kiss for the first time. Little touches that humanize the fantastical are all Spielberg and it’s no small surprise many mistakenly believe Back to the Future is a Spielberg film.

3. It’s Boomer nostalgia 

Starting in 1985 the baby boomers all started turning 40. And you could see it in the culture of the day. Whereas the first half of the decade was dominated by MTV, New Wave, new Romantics and “youth” culture, starting in 1985 the boomers took their revenge. The big waves of 50s and 60s nostalgia (present in some form from Happy Days, Grease, and Sha-Na-Na in the 70s) really took hold in the 80s. It was that turning 40 where those greaser and hippy kids started looking back at their lives, and the culture followed. Paul Simon, Bob Seeger, the Rolling Stones, The Beach Boys, the Beatles all saw a resurgence in popularity (in fact the following year’s Ferris Bueller’s use of The Beatles’ cover of Twist And Shout launched the Beatles back into the popular culture). 

I can still hear the music

Back to the Future really leans into the boomer nostalgia, filtered through the gaze of a 17 year old played by a then 24 year old and written by a couple of late 30/early 40-somethings. It may be Marty’s POV – he’s virtually in every scene of the movie – but it’s George (Crispin Glover) and Lorraine’s (Lea Thompson) story. Their world. Their era.

Part of why, to me, the two sequels aren’t nearly as effective or good (sorry but it’s also true) is because their settings – 1885 and the then far-away world of 2015 – are divorced from any world we, the viewer, knew. They’re perfectly fun time-wasters but they lack the emotional resonance of the first film. They’re movies about Back to the Future; not movies about a teenager time-traveling to meet his parents as teens. 

Back to the Future also made me conscious of the fact that my parents were teenagers once. That they had a lot of the same hopes and fears as I did. It got me more interested in their music, their movies, their TV. The sense that they’d grown up in a period predating my birth; that they’d lived a fair bit of life before becoming parents.

4. It’s a Gen X Film

Generation X as a term to describe that cohort of people born between 1965-1977 or thereabouts wasn’t actually coined until 1991 by author Douglas Coupland, in his book titled, well Generation X. But now, Marty McFly, those John Hughes Kids, those Kids of Degrassi Street and the like are all labelled Gen X. It was a label assigned after the fact. Unlike Gen Y, unlike Millennials, Gen X typically had to wait until the dust had settled to get a name, which it didn’t receive until:

As an aside, there’s definitely merit to an argument going around that it’s GenX who’s at fault for the endless sequels and reboots of classic 70s-90s film series as we’re the 40-50 somethings clinging to the nostalgia of our youth. But the missing component to that argument lies in the fact that the main demographic companies/networks/studios want to reach are 18-34, not 35-54. GenX is also, demographically, a small cohort sandwiched between two larger ones, the Boomers and the Millennials. I would argue more to the plethora of sequels, reboots, remakes as just being more evidence of that tepid corporate mindset that it’s a safer bet to repackage an existing property than to attempt something new. You couldn’t make Back to the Future today without a plan and a promise for a film series. The numbers bear that out; the two biggest movies in recent terms financially have been a new Batman movie (of which there’ve been 10 since 1989), a Spider-Man sequel, the 9th Spider-Film in the last 20 year span, and a sequel to Top Gun, 36 years after the original. It’s interesting to ponder how the landscape might have been were there only 3 Star Wars movies, 3 Indiana Jones movies, 6 Star Trek movies, 1 Ghostbusters, 1 Back to the Future. Would they be as beloved today or would they sit somewhere closer to a 1-and-done success like E.T. the Extra-terrestrial? That is rightly regarded as a classic film, but it certainly doesn’t have the fandom that those other franchises have (because in the end, all that matters to studios is the merchandise – the T-shirts, the video games, the toys, that keep the money flowing). But I digress.

But let’s look at Back to the Future in that context; Marty, the youngest child, sees his older siblings and parents crushed by the grind of life. Dad is a nerd pushover, mom an overweight alcoholic with a jailbird brother. Marty’s brother works in fast food, his sister is likewise in a dead-end job. George’s high school bully, Biff, is still tormenting him. He’s facing a future of diminished expectations which is why he has so much riding on that battle of the bands; his ticket out of the decaying California town of Hill Valley. He is of a generation that can expect to climb nowhere near as high as the generation preceding it. That’s the GenX-perience. That we were never going to have the success of our parents. And poor Marty’s family … are failures. Whatever dreams they once had (like George’s ambition to be a sci-fi author) never came to fruition.

So why is Back to the Future so important to me? 

In 1985 I moved to Greensboro North Carolina. School, culture, were not a good fit. Quite simply, I hated it. So there was an enormous appeal in Marty McFly’s story. I wished I too could time-travel with Doc Brown back to, well, maybe 1984 and just inhabit the pre-NC years on an endless loop. But I knew in my heart that was silly and doomed; to be perpetually aging while I relived the same events. Going from ten to eleven to twelve running in place. So while the fantasy was appealing I knew the only way to survive NC was to go through it.

[I did get through it, though the two years we were expected to spend in NC were truncated by an at-the-time fortuitous circumstance that eventually would have consequences for the whole family.]

I wish I could say things in NC turned around but they never did and when I left NC later in 1986 it was without any looking back. I haven’t been back there since and don’t intend to. Unlike all the many other places I’ve lived I have zero nostalgia for that time in my life. In point of fact to this day I posses a strong, very unfair dislike of the southern USA because of my North Carolina experience.

But in Greensboro, we lived a short walk from the nearby strip mall which included a nice bookstore, great Chinese restaurant, a Toy City, and movie theater. This was a second run theater, one of two in town, and when movies came there on their way to home video they played for a while. Tickets were a buck, popcorn and soda or candy was another buck. When Back to the Future finally made its way there I went almost once a week. When another movie like Young Sherlock Holmes or Weird Science arrived I alternated but the end result of that is I’ve probably seen Back to the Future in the theater more times than any any other movie before or since.

It’s also why I bought myself this …

Back to the Future is my movie comfort food. SO much so that this past father’s Day I chose it to be my movie for the day. And almost 40 years on it remains as fun, as sweet, as charming as it ever was. Watching BTTF now is akin to traveling back in time to 1985, to 1955 and back again to 1985. Over those many years past Marty McFly became a friend, then he became me; a teenager out of place, desperate to return to the place he belonged. His home. His time. It took a little longer for me but I made it home eventually.

That story will be told in the third installment of this series.

But first we need to take a leap forward to the year 1991 and this bad boy.

I’ll be back

See you next month.

Pictures of Plastic Men (Part II)

If you missed Part I you’ll find it at:

Pictures of Plastic Men

It’s 1993. I’m 20 years old. I’m sitting on a bench atop a hill, watching the kids at my old school play at recess down below. I’m remembering a time not long before; only ten years but those might as well be a lifetime. I remember that old life, and the things in that life that meant the world to me, if only for a short time. I think back to a day in 1985, shortly after my 11th birthday when my dad came home to tell us we were moving again, this time to North Carolina. This was to be a temporary move, a 2-year “loan assignment” that meant at the end of the assignment, in 1987, we were moving back to the same house on the same street, and I’d start high school with the same kids I’m in Grade Six with now. The promise of return is a salve, because I really like it here and our house and our pool and all of it and don’t really want to leave. But we have to, and come July, that’s what we do.

The first thing I notice about our new city – Greensboro – is the abundance of shopping malls and department stores, each with a toy section out of my wildest dreams. And my parents, knowing this is a rough move on my sister and I, are very generous with the toy purchases. My dad even finds me a local comic book store and says we can go there once a month to buy the latest GI Joe comic book. While I missed  my friends, it looked like our time in North Carolina would be enjoyable.

Then school started. I hated it.

Bane of my existence, 1985-1986

This wasn’t like the other moves. Those were always met with some excitement. But this felt different because I was different. I was settling in. I had friends. I had a life I was happy with. And it was all being torn away from me.

Now, being into toys, and being into GI Joe at the ripe old age of 12? That was a sure ticket to Loserville, Population: you. I found this out one afternoon during school, in the first or early second month. The way the campus was set up was the main building as this big rectangular cinder block running north-south along the street, with an annex to the south, and a gymnasium building with classrooms adjacent to the north. My homeroom was in the south annex – my first class of the day was in the north building. I’d have to transverse that distance within the three minutes we had between classes before the bell rang. I was walking along the path leading to the building when I passed a group of grade eight and nine boys surrounding a Grade 7. I slowed enough to hear them calling him “baby” and “little boy” and some other words I won’t get into. Lying at the boy’s feet was a small plastic toy I recognizes immediately as Snake-Eyes Version 2 – the Ninja version. I know this because I had it too.

And still do …

I slowed almost to a stop, enough so that the kid looked at me with these eyes I’ll never forget. Like a trapped, frightened animal. I don’t know the circumstances for the toy. Maybe he brought it to school because he liked having it close. Maybe he was hoping someone else would notice it, and recognize it, and maybe talk about their toys.

Maybe, he was looking for a friend.

I wish I could say I interceded and told these much bigger kids to leave him alone. I wish I could say I called a teacher over because bullies are bullies until they’re dealt with. I wish I could say I charged in fists swinging to protect this kid. But what happened was one of the older kids looked at me, and not wanting to get involved, I resumed walking, faster now, and leaving the group behind.

3:15 couldn’t come quick enough. I took the bus home; I went up into my room and closed the door. There were some toys left out from the previous day’s adventures but somehow they felt different. I couldn’t look at them, let alone pick one up without thinking of that kid at school.

Were this a movie or TV show, I would have shown up at school the next day with a GI Joe figure and tracked that kid down and ask what he thought. I wouldn’t have cared what some Grade 8 or 9 boys who would never be my friends anyway thought. Maybe that kid and I would have become friends. But i I didn’t do that. I saw that kid occasionally around school but I never approached him to say hi or that I thought those other kids were jerks and that Snake-Eyes was cool. I wish I’d done that, but I didn’t.

1985 became 1986, but GI Joe didn’t continue with me. It didn’t seem as cool as it once was. I felt like I had failed, that I wasn’t living up to the ideals I thought the toy was supposed to instill – bravery, honor, and loyalty to your comrades. I got self-righteous; this was Grade 7. 12 going on 13. Toys? They were for little kids. How on earth could I show up with GI Joe toys at school and expect to make friends?

It was a long, lonely time for me. I still had the comics and still kept up my collecting with that once monthly visit to the local comic store (subsequently branching out into more mature titles like Watchmen and The Shadow). I received my last batch of GI Joe toys that Christmas. I may have played with them a bit that holiday week, but they went into the closet come January and that’s where they stayed even. The toys were packed up and moved up north but they stayed packed away in those boxes for the next 30 years. By the time I started Grade 8 in yet another new town, I was heavily into music and that became the way I made friends; with mixtapes and playlists and record collections. Without friends to play with, my toys were all kind of … childish.

#

Back to 1993, back to that bench overlooking that park, and that playground. I sat there the full fifteen minutes watching kids ten years my junior playing. Kids probably born the year I discovered GI Joe and started to fit in with my new surroundings. I wondered what toys they were into now. I wondered if they helped kids make friends with other kids. I wondered how many of them would give up their toys in similar situations as I did. I remember feeling saddened by the whole thing. Childhood is one of those things you endure. Kids can become friends in an instant, and you can break that friendship apart just as quickly when you find other kids – hipper, cooler ones – that you’d rather be seen with.

The recess bell rings. They kids race back inside. The doors close, and I’m alone again. I pick myself up, trudge back down t to my waiting car, climb in, and drive home.

#

It’s 2018. I’m far from from that park and playground, far from that life. I’m a father now, and am re-experiencing childhood again through my son’s eyes.  The GI Joe toys are all gone – sold off to collectors a few years ago. I kept a few favorites though, because you can’t completely part with the things from your childhood. I didn’t need the money, or even the space. I just needed to say goodbye to them and let someone else take joy from their presence. And as I saw them all exit my life, one parcel at a time, I realized they were just … THINGS. Pieces of plastic and die-cast metal. That’s it. And I think the decision to sell them made all the difference in my life.

You can appreciate your childhood, and should do so, but not at the expense of the here and now. For a time those pieces of molded plastic assembled in Taiwan and shipped overseas to fill toy-stores everywhere was our entire world. They were important to me. They meant something, at a time when I was still figuring out what life was all about. For a boy who moved around a lot as a child, those toys became my friends at a time when I didn’t have any. My childhood memories divide up into neat, tidy compartments; the toys I played with, the comics and books I read, are all linked to a place and a time.

I don’t know how long we’ll stay here in this new city. But I do know and hope that my son will find the same joy, the same warmth, the same friendship with those toys he comes to love. Because sometimes childhood is as much about the things you cherish for an all-too brief moment in time.

 

 

Pictures of Plastic Men

It’s December 1993. I’ve just returned a car-load of film equipment to the Film Building at my university, where I’m a student. I’m in a contemplative mood this day and with nothing else on tap for the afternoon, decide to take a little drive.

The car is mine. I was home for my mother’s birthday at the end of November and decided to drive back to school seeing as I’d be coming back after exams a few weeks hence. I’m renting a house in the city’s west end with five other film and theater students so I have free parking for the month.

I drive without any real destination, but when hunger pangs hit I decide to drive up to my old neighborhood – the one I lived in ten years before, which would become, in my memory anyway, the happiest time of my life. There’s a burger joint near there I used to frequent, one of those old-school 1960s establishments that hasn’t changed in the fifty years since it was started. I go and grab my favorite meal – steak on a Kaiser with pepper and a little bit of BBQ sauce, onion rings, and a chocolate shake.

I park, I eat, then I keep driving, the car smelling of my lunch. I drive north. I cruise past my old house; I swing through crescents and side-streets where I used to play with the other neighborhood kids. I swing past the house of my best friend, who’s still living there, but is at work that day. The memory tank has been refilled, but I’m not quite ready to go home yet.

I pull over and park at the edge of the local park, get out, and climb a slow sloping grade of landfill that’s been turned into a hill. We used to just call it the “toboggan hill” because that’s what we did on it in the winter. There’s a bench and a couple lonely pine trees at the summit, and when you sit there you have a view of the playgrounds and baseball diamonds, and elementary school below.

This was my old school. The one I attended for only a few short years – April 1982- to June 1985 – but it still looms large and casts a long shadow over my life then. 1993 has been a rough year for me, and December of that year marks the one year anniversary of my parents announcing they were separating. I’m so devastated I nearly flunk my first year of university, but I manage to pull my grades out of a nose-dive and pass. Barely.

So that’s my frame of mind as I sit on that bench and stare out over my old school. It’s just before 2:00pm. I know this because the recess bell rings a minute or so later, and the kids come streaming out. To play four-square. To throw the ball around. To jump rope and play on the playground equipment – the same I played on ten years before.

What does all of this have to do with GI Joe? Everything.

It’s April, 1982. We’ve just moved to this new city. Moves have been a fact of life for me. By 1982 I’ve lived in six different cities. I just turned 9 years old. By this point I know the drill; my dad comes home to say “we’re moving again” because he got another job transfer and promotion to go a long with it. A move means excitement and sadness in equal measure. Excitement because it’s a new city, a new house (our new one will have a swimming pool), and new friends. But a move also means saying goodbye to old friends. In this pre-internet era, goodbyes really do mean goodbye. It means never seeing those familiar friendly faced again. You move away, they move on, and pretty soon you forget what they looked like.

We move just before Easter, which means I and my sister are starting at our new schools nearly through the end of the year. I have two months of Grade 3 and then summer. Will that be time enough to make friends? So the spring as I remember it is cold, dark, and lonely.

I can’t remember the actual date, but the specifics of it, I’ll never forget. It must be some afternoon after school I first see the commercial. It’s slick, animated, and trumpeting what looks like a new cartoon series. But it’s not a cartoon series, yet. It’s not a movie either. It’s this:

Now let me paint a picture for all of you here in the year 2018. In the 1980s, things were slower. The pace was different. Your average hour long TV show ran 52 minutes. There were only a handful of TV channels. Music was on the radio. There was no MTV outside of a few small outlets in the US. If you wanted to go shopping, you went to a mall. Movies? The theater.

And Star Wars movies were released 3 years apart. Three years to a 9 year-old may as well be a lifetime. But fortunately you have the toys – the action figures, the vehicles, the play sets. You have the comics and newspaper strips – al of which is designed to keep you interested in the property until the next installment.

But there was something else these little pieces of molded plastic were important for – something the designers didn’t anticipate. They were how you made new friends in new cities. Just the act of bringing a Star Wars toy to your new school was enough to get other kids to come over and talk to you. Several friendships (short lived ones, but friendships nonetheless) began that way. I’d bring a Bespin Han Solo or Hoth Luke to school; some kid would ask what other Star Wars toys I had. I’d tell them, they’d tell me theirs. They’d invite me over to play, and vice versa. Toys were how you got to know others. They were how you found your new tribe.

By the time I moved  it had been two years since The Empire Strikes Back. Five since Star Wars. Time moves slow as a child but it moves really slow when you’re a Star Wars fan. You need toys to fill the gaps between films. Between Star Wars and Empire alone there was Battlestar Galactica, Buck Rogers, and The Black Hole. Between Empire and the third installment due next year – Revenge of the Jedi – there’s been Smurfs, and Indiana Jones, and a lot more I’ve forgotten. But they’ve all been peg-warmers and gap fillers. By 1982 nobody is playing Battlestar Galactica. They may still be playing Star Wars, but the wait between films is so long to a 9 or 10 year-old. You need something else.

Something different.

And so it was, one evening in April, when my mother was taking my sister to the local mall to do some clothes shopping one evening after school sometime in April. I begged off to browse the toy aisle, and when I get there the first thing I noticed were the colors of red, white, and blue on the floor display.

GI Joe: A Real American Hero.

The packaging was the first thing that lept off the shelf at me. Whereas the Star Wars figures featured the toy in a plastic bubble and a photo of that character (no matter how minor) from the movie, these featured a beautiful painted image of the character in action. The back of the card featured smaller paintings of the other figures in the line, and below those, a file-card with the character name, code-name, rank, specialty, and place of birth. With nothing else to go on but the packaging you had a psyche profile of what that character’s personality was like.

I begged my mom to buy me some. She ended up relenting and getting me three: Breaker, Grunt, and Snake-Eyes. I took them home, took them out of their packages, and plated with them until bed-time. But the real fun came the next day when I snuck Snake-Eyes into my book-bag and took him to school. Come morning recess, I brought him out and it was like moths to the flame. None of the other kids had seen a GI Joe up close before, though they had seen the commercials. So here was the new kid with the hottest new toy. And from that moment, friendships were born.

That was just the beginning though. See, I didn’t really get “in” to GI Joe beyond those first three figures. They were just three tots if many, and my heart still belonged to Star Wars.

In 1983, we were on vacation in Vermont, and on the first day I broke my leg skiing. That vacation became a three-month odyssey of traction and body casts and being stuck at home. And while some school friends did visit me (and I did have a tutor so I could keep up with school) it was a very lonely time.

Then my dad came home from work one night with a gift for me. Well, two gifts anyway. One was a new GI Joe called Snow-Job, the other was a snowmobile called the Polar Battle Bear.

Which I still have, by the way.

Maybe he picked those because he knew our ski vacation had been cut short and I blamed myself, maybe it was just because he wanted me to have some fun while I was bedridden, but it did the trick. By the time the cast came off I had acquired more GI Joe toys. I. Was. Hooked. By the time September rolled around Return of the Jedi had come and gone, but I was fully on the GI Joe train. Joe became the linkage to my friends, and their interests (including the aforementioned best friend who I met that September because he was talking about James Bond, another of my childhood touchstones).

And for a GI Joe fan the hits kept on coming. That September saw the release of the 5-part miniseries A Real American Hero, which aired on a local station after school Monday-Friday. That Christmas I added a whole slew of new GI Joe toys to my collection – the MOBAT Tank, VAMP Jeep, Dragonfly Copter, the Headquarters Command Center, and more figures. Joe became my life, but in no bigger way than the following summer when visiting some old friends out west who introduced me to the Marvel comic.

The first issue I ever bought. Still have it too.

That span of years, from 1983-1985 were some of the finest of my life, and it was largely due to those little plastic men and women.

Then, everything changed.

[To Be Continued in Part II]